Richard grows up in a system of power and ambition. Unlike his family members, he is capable of playing this game. He knows every rule, effortlessly slips into roles, and sways sympathies. Shakespeare's theatrical battlefield draws from the depths of humanity, creating a world where evil has become the norm.
The stage, constructed from elements such as platforms, trusses, stairs, and stage machinery, forms a space of which only Richard knows how it functions as a whole. He manipulates people and the space to serve himself and his show, pulling them to his side and thus claiming the space as his own.
Is there a limit to humanity that we cannot cross?

DIRECTING - MARIA CHAGINA
STAGE DESIGN - ESTHER ABDELGHANI
COSTUME DESIGN - LOTTA THOMS
DRAMATURGY - LEA UNTERSEER